Monday, 24 December 2012
Friday, 21 December 2012
Shooting Schedule - By Charlie
This is when we will be filming:
Tuesday 8th January 2013 (9.50am - 10.30am)
Wednesday 9th January 2013 (9.50am - 10.30am)
Friday 11th January 2013 (9.50am - 10.30am)
Tuesday 15th January 2013 (9.50am - 10.30am)
Wednesday 16th January 2013 (9.50am - 10.30am)
Friday 18th January 2013 (9.50am - 10.30am)
Tuesday 22nd January 2013 (9.50am - 10.30am)
Wednesday 23rd January 2013 (9.50am - 10.30am)
Friday 25th January 2013 (9.50am - 10.30am)
Tuesday 8th January 2013 (9.50am - 10.30am)
Wednesday 9th January 2013 (9.50am - 10.30am)
Friday 11th January 2013 (9.50am - 10.30am)
Tuesday 15th January 2013 (9.50am - 10.30am)
Wednesday 16th January 2013 (9.50am - 10.30am)
Friday 18th January 2013 (9.50am - 10.30am)
Tuesday 22nd January 2013 (9.50am - 10.30am)
Wednesday 23rd January 2013 (9.50am - 10.30am)
Friday 25th January 2013 (9.50am - 10.30am)
Wednesday, 19 December 2012
Logistics - by Shondell
Equipment:
- Camera
- Microphone
- Lighting
- Tripod
Permissions:
This is the letter we wrote to The London Borough of Croydon, to gain permission to film on their grounds.
London Borough of Croydon
Taberner House
Park Lane
Croydon
CR9 3JS
To
Whom This May Concern,
We
are writing to inform you that we are media students looking to film throughout
January in South Norwood Lakes for our media project. We shall not be causing
any disruption to the nature of the park in any way; we would just like to use
the grounds as a setting for our film project.
We would just like to confirm that we have permission to
do so on these grounds in order to complete our study for our media project.
Kind Regards,
Shondell Cater
Project manager
Personnel:
Lauren Tejada: Summer Anderson
Shondell Cater: Anastasia Williams
Cameron Sardinha: George Smith
Charlie Herbert - Rupert O'hara
Extras:
Ryan Haughey: Psychologist
Wednesday, 12 December 2012
Wednesday, 5 December 2012
Shooting Script - By Lauren
Shot
|
Shot Description
|
Audio & Dialogue
|
1
|
Black screen/ production company names
fade in and out.
|
Background static noise
|
2
|
LS – Cameron laying down on chaise long
|
Single heartbeat as it flicks to cameron
|
3
|
LS – Cameron still in focus with blank
expression while psychologist speaks who isn’t in focus
|
Psychologist says – “George, or do I call
you scar, which would you prefer?”
|
4
|
Extreme Close Up – From the side of
Cameron’s face as he lies with no expression in silence.
|
Silence
|
5
|
MS – Of psychologist sitting down with
pen and paper assessing Cameron
|
Psychologist says – “How are you feeling
today?”
|
6
|
Close Up – Of Cameron
|
Cameron says – “Better days” in monotone
|
7
|
Close Up – Focuses on something random
such as a lamp while the silence occurs
|
Silence
|
8
|
Extreme close up of the psychologists’
pen on paper, then flicks to her face when she speaks.
|
Psychologist – “so how-“
|
9
|
Side Close up of Cameron’s face
|
Cameron interrupts loudly “do you know
what I don’t like?...”
|
10
|
Flashes black and white
|
|
11
|
Informal camera angles of party showing
the 4 characters having ‘The perfect life’. (Black and white footage)
|
Background noise from the party and
random speech of characters having fun
|
12
|
Flashes back to present, Mid–Shot of Cameron
as he gets up.
|
Cameron emotionally - “You will never
understand what I’ve been through…”
|
13
|
Flashes black and white again
|
|
14
|
Black and white footage, camera follows
Cameron as he walks down the hallway.
|
Silence
|
15
|
Match on action of Cameron opening the
door, close up shot.
|
Silence
|
16
|
Close up of Cameron’s face as his
expression changes from normal to shocked.
|
|
17
|
Camera focuses on dead body of Charlie in
close up shot
|
|
18
|
Close up of Cameron’s face
|
Cameron – “NOOOOOOOO!”
|
19
|
Flashes back to present, camera focuses
on Psychologists shocked face.
|
|
18
|
Side close up
|
Cameron “Its still affecting me up until
this day…”
|
19
|
Fades black into title credits rolling.
|
Unsettling music to signify the movie
will be horrific and psychological.
|
20
|
Actors Names, production companies etc.
appear as pictures of characters good times roll, with figure in the
background of the pictures apart from Cameron’s pictures.
|
Unsettling music to signify the movie
will be horrific and psychological.
|
21
|
At the end of the credits rolling, the
title of the movie appears largely in unsettling looking text ‘Parallel
minds’
|
Unsettling music to signify the movie
will be horrific and psychological.
|
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